Մանիֆեստը իբրև գրական դաշտը մոդելավորող տեքստ և դրա ըմբռնումը

Abstract

The article examines the perceptions of the manifest in literary criticism of the Soviet period. The author tries to trace the perception of manifest in dictionaries, textbooks, literary dictionaries, anthologies diachronically. This approach makes it possible to trace the logic of understanding the manifest as a genre from the
Soviet period to the present day. Particular attention is given to the problem of the origin of a manifest as a genre, a functional understanding of the manifest in the literary field (P. Bourdieu) and its communicative features.